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| about the film | production notes | online press kit | purchase | trailer | contact | |||
Dancing With Gaia is based upon an original idea by Matt Stratton and Matt Andersen. One night, whilst drinking many beers, the two were discussing the fact that a mockumentary about swing dancing would be "a real hoot". Most drunken ideas never make it past that stage, but a different fate was in store for this one. Stratton went on to share this idea with Dallas Trinkle,
physics grad student and accomplished misanthrope. While smoking cigarettes
on Stratton’s back porch, the two decided to try to make the movie, figuring
"it ca Over the next several months, Stratton and Trinkle created several drafts of the project, originally titled Savoy Smooth. Casting occurred in February of 2002, just in time for the original DP and producer to both quit the production. Luckily, fate smiled upon the two fledgling filmmakers and brought them Ben Gonzales, an accomplished cinematographer who was willing to attach to the project. "Since it was an improvised movie, a lot of rehearsal was needed," says Assistant Director Tracy Hogan. “Most of the cast was not trained in improvisation, so the two months of workshopping and rehearsal really made a difference." Once the workshop period was complete, principal photography began. Dancing With Gaia was shot over five weeks, shooting on weekends only. Improvisation was "Matt let me run wild with my threats and I did a different outlandish threat every take," Gerdes says. "It didn't make it into the film, but my personal favorite was when I threatened to burn down [Zoe’s] house if the performance did not go well." The editing process was a long road. Thanks to the graciousness
of Superior Street Post, editor Andrew Merczak and Stratton completed
editing the film almost one year later. Due to the improvised nature of the shoot, Stratton and Merczak faced some unique challenges. "You think the movie is about one thing when you write it," Stratton says. "But then you get into the editing suite, and you have to 'find' the story. It’s tough, but you really get to flex your creative muscles. Especially when you’re on microbudget and can’t go back and shoot new stuff." Gerdes looks back on his experience with Gravy Train Films fondly. "Dancing With Gaia was the first feature-length film I had been involved with. Since then I've been cast and crew for a variety of film shoots and I often look back with nostalgia on my Dancing With Gaia shoots as examples of how friendly and comfortable a shoot can be." |
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| about the film | production notes | online press kit | purchase | trailer | contact | |||
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